This can then be output either as one summary source, or as individual tracks to a computer over USB for editing and post-production.Īlternatively, the LiveTrak L-12 also acts as a self-contained multitrack recorder, with the ability to record, mix and master full tracks which can be exported via SD card. As a pure mixer, you can record up to 12 sources at the same time with complete control over levels, panning, effects and routing. This 12-input digital mixer combines the best of both worlds. In the Zoom LiveTrak L-12, there is a solution. We’ve all done the classic ‘one mic in the middle of the room’ recordings at some point, and dreamt of being able to exercise more control. We’ve included this because garages count, right? Regardless, it’s likely bands will require something more substantial for recording full performances, demos or jam sessions. Special mention must also go to the Rode RodeCaster Pro while podcasting itself is still relatively niche, in the RodeCaster Pro there is a specialist mixing desk which offers up a few neat tricks specifically for those users.Ī slight detour away from traditional ‘home’ studios brings us to rehearsal spaces. The mic preamps sound great for the price, and the USB connectivity means it will have a good few years in it yet. That being said, quality rises to the top and in the Allen & Heath ZEDi 10FX there is a mixer which hits a nice balance between classic mixing capabilities and modern ways of working. What works for a solo artist looking to record a microphone and electric guitar will likely not fit the bill for more expansive setups. The best budget audio interfaces: start recording for under $120/£100Ĭhoosing the best home studio mixer or mixing desk is a challenge, not least because they come in all different shapes and sizes.Our pick of the best audio interfaces for production.Looking for a great home studio mixer deal? Check out our Black Friday music deal page for all the latest news and the biggest offers. Let’s take a look at our round-up of the best home studio mixers around today. Some favour traditional simplicity, while others incorporate ingenious tricks to unlock the full potential of your gear. i still support the music making scene on linux and spend quite a bit of time hanging around the open source musician's irc room but well live is just too good.Here we will run through a selection of analogue and digital mixers and mixing desks to ensure you can record multiple sources at once. I ended up switching to windows for my audio machine because i couldn't get full functionality out of my old audio interface/midi controller and i wanted to use ableton live. I never noticed any kind of performance hit and funnily enough wine can actually run old windows applications (pre XP/win2k) stuff better than current versions of windows. when i was using linux exclusively bout 3 years ago i did get quite a few vst's running using lmms+wine. I know someone on another forum who has had fl studio running solidly on his linux setup for over 1-2years. i haven't used latest versions of wine so can't say what will and won't atm. Seriously though some stuff will work some stuff won't. Have you tried installing audio apps or ASIO?well yes in theory but remember Wine Is Not Emulation So with Wine you can basically run things as if it were under Windows? No performance hit?
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